Mendel spilled its train around her feet her hair was up her lips were dark red and her eyes were smoky. Swift is known for sparkly, beaded dresses that make her look like a flapper, but she had adopted a more polished look for the ball: a gauzy, black-and-peach dress by the designer J. One afternoon this spring, the twenty-one-year-old country pop star Taylor Swift was in the back seat of a black Escalade going up Madison Avenue, on her way to the annual Costume Institute Gala at the Metropolitan Museum. But it's highly plausible that Swift is sincere - that she's willing to forfeit a traditional wedding in exchange for being "seen" by her partner.Swift hooked a previously unrecognized audience: teen-age girls who listen to country music. Of course, one way to deal with envy and resentment is to convince yourself that what you want isn't worth wanting. So "I wouldn't marry me either" can be interpreted in many ways, but it's clear that Swift has ambivalent feelings about marriage. She also writes about turning down a proposal in "Champagne Problems," another song that Alwyn cowrote: "'She would've made such a lovely bride / What a shame she's fucked in the head,' they said."
Swift references marriage several times throughout "Midnights," most notably in "Lavender Haze" ("All they keep asking me is if I'm gonna be your bride") and "Midnight Rain" ("He wanted it comfortable, I wanted that pain / He wanted a bride, I was making my own name"). 'I wouldn't marry me either / A pathological people pleaser / Who only wanted you to see her' "I search the party of better bodies / Just to learn that you never cared," she sings in the first chorus. In the first verse of "You're Losing Me," Swift sings, "Remember looking at this room, we loved it 'cause of the light / Now, I just sit in the dark and wonder if it's time." In "You're Losing Me," Swift grapples with the reality of losing the war and breaking her promise. The last line in "The Great War" is "I will always be yours," a vow to be loyal in the aftermath of betrayal and distress. Its title is a direct reference to World War I. The bridge also echoes "The Great War," another bonus track on "Midnights," which makes heavy use of wartime symbolism. ("After giving you the best I had / Tell me what to give after that," she previously sang in "Happiness.") Instead, her lover responds with ambivalence and "I don't understand." The idea that Swift puts forward in "Epiphany," that some things are just too painful to talk about, is turned on its head in "You're Losing Me." She fought and bled for this relationship, and she demands that her sacrifices be acknowledged. Account icon An icon in the shape of a person's head and shoulders.
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